Motion(less) Pictures: The Cinema of Stasis

Motion(less) Pictures: The Cinema of Stasis

Conducting the first comprehensive study of films that do not move, Justin Remes challenges the primacy of motion in cinema and tests the theoretical limits of film aesthetics and representation. Reading experimental films such as Andy Warhol’s Empire (1964), the Fluxus work Disappearing Music for Face (1965), Michael Snow’s So Is This (1982), and Derek Jarman’s Blue (1993), he shows how motionless films defiantly showcase the static while collapsing the boundaries… (more)

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Book Details  


Publisher: Columbia University Press (February 24, 2015)

Collection: Film and Culture Series

Parent ISBN: 9780231169639

Language: English


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